This is the record that started it all. It is single-handedly (pun slightly intended) responsible for my becoming an unrepentant music obsessive. This record, DCD's 7th and the first with American distribution, had an unlikely hit with the single 'The Ubiquitous Mr. Lovegrove' (which also shares a title with a Secret Agent (Danger Man) episode) enthralled my young ears with its ethnic polyrhythms and sacrificial lyrics. I was a drummer at the time, so the beat caught my attention. I struggled to catch the name, and when i did, i hounded every place of musical commerce i could think of. Unfortunately, the record would not be released in the states for several months, and that's when the obsessive record questing began. I would take the train to Chicago, and buy expensive overpriced Belgian imports of their albums, before they were re-issued domestically. Those freezing, icy Chicago sojourns, reeking of incense and cappuccino, would make an indelible impression on me, as would the music contained on this album.
Dead Can Dance's music is like magick personified, given voice, and as such, it is the kind of thing i have always wanted to share, here at J's Heaven. The whole reason i started this blog in the first place was to put sounds out into the world, to maybe colour yr afternoon or evening or night drive. To take a little strand of these beautiful moving moments that i have experienced, and spread it 'round. There seemed to be no shortage of places to hear great music out there, so i sort of stopped for a while. But then i noticed that there's not very many people posting records anymore, and it seems a shame to let the whole thing die. The explosion of the music blogs a few years ago was a time of great imagination and innovation, even if we were all a bit hungry and jaded, not really taking the time to listen to what we had. I've been taking the time, enjoying my life, listening to my favorite records. I've met the love of my life, and we are building a life together. We have a black cat. We cook dinners, sweep floors, buy groceries. This is the kind of shit that music is meant for, as a compliment and an expression of simple, mind-blowing appreciation.
It is this level of contentment that can radically alter yr life. With this contentment, i am exploring and learning how to write about music for real, to take my time and say what i'm trying to say. That's very much a work in progress. Music has brought so much magick, so much joy and inspiration, i just want to spread my particular flavor around. I'm going to do a series of posts of my most influential albums, the records that have made me the bearded, hatted weirdo that is typing here at 12:43 a.m. on a monday night. I'm broke as hell, but certainly not defeated. Still not drunk, still trying to write cool songs. I've been up to a lot, while this blog has been sleeping. I'd love to fill you in. If you care to take a look, i've also started a new blog, called Forestpunk,where i do a lot of philosophical and metaphysical speculating, as well as posting bric-a-brac. I'll be doing these album reviews at The Guardian, as well, just so a few more people might find them, in an effort to further spread the good word about some of my favorite music.
Excited about writing and sharing music with the world. Glad to still be here with y'all.
Read about Into The Labyrinth at The Guardian
Find it on Amazon: Into the Labyrinth
PREVIEW
Tuesday, January 22, 2013
Dead Can Dance - Into The Labyrinth
Labels:
Dead Can Dance,
goth,
Js Classics,
magick,
neoclassical,
Neofolk,
ritualistic
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